| Best Direction (Chairman's Shield) | Peter McAuley for Starcast Drama Company's production of Chequered Flags to Chequered Futures |
| Best Youth Production (The Trant Trophy) | Starcast Drama Company with Chequered Flags to Chequered Futures |
| Best Ensemble (Nicky Chapman Award) | Starcast Drama Company's production of Chequered Flags to Chequered Futures |
| Best Adult Actor (TDF Cup) | Callum West in Bench Theatre's production of Captured Moments by Mark Wakeman |
| Best Adult Actress (TDF Cup) | Bernie Lomas in Bench Theatre's production of Captured Moments by Mark Wakeman |
| Best Supporting Adult Player (The Cullen Cup) | Jointly awarded to Abby Brine, Naomi Scott, Keyleigh Underwood & Madeline Bolton in SU Theatre Company's production of I'm You from the Future by Pippa Messent-Watling |
| Best Youth Actor (The Harris Trophy) | James Mills in Starcast Drama Company's production of Chequered Flags to Chequered Futures |
| Best Youth Actress (The Harris Trophy) | Kaiya Thompson in Starcast Drama Ensemble's production of Missing Dan Nolan by Mark Wheeller |
| Best Supporting Youth Player (The Hibbert Trophy) | Felix Barrett in Bishopstoke Players production of The Waiting Room by Adrian Barrett |
| Technical Achievement (The Arthur Whittaker Award) | Starcast Drama Company for Chequered Flags to Chequered Futures |
| Adjudicator's Award (The Harding Shield) | Bitterne Park School Drama Academy for 'The Bed' in their production of Fur Elise written by Neil Phillips and the cast |
| Best Original Script | Mark Wakeman for Captured Moments |
This play directly reflects recent divisions in the UK about who “belongs” in the nation. Britain is a land shaped by constant migration and cultural exchanges challenging the idea of a singular, fixed British identity.
The Whites are just an average family, getting by in tough times. But their lives change forever when an old acquaintance turns up, a retired soldier, with a mummified animal paw and a dark tale.
This play contains some adult themes not suitable for younger children.
It took Mr. Banks's drama class three long months to prepare for their monologue show... but barely a minute to throw all their plans out the window.
Nadia is a traumatised girl who mysteriously appears in London after fleeing war and violence in her home country. Hers is a story about displacement, trauma, and the resilience of children caught in the machinery of war and bureaucracy.
When Ellie urges Eddie to ‘sign the papers’, he is reluctant. The photos say it all – they are captured moments of their life together. Surely that life can’t now be over – can it?
This play contains some adult language.
Für Elise explores our Drama Academy's experiences of dementia. "Georgia" and "George" allow us to capture what it is sometimes like for families caught up in the tragic net of dementia.
When gifted physics student Sophie is struggling to make an important decision, a future version of herself arrives in a time machine to offer some much needed guidance. All seems well until another, alternative future variant shows up wanting the opposite outcome.
Follow a collection of colourful characters as they come to terms with their recent demise while they wait to enter Hell.
This play contains strong language.
The tragic true story of Dan Nolan, a teenage boy who went missing on the 1st January 2002 after a night out fishing with his best friends.
In 1938, fearing for the safety of Jewish children living in Germany, Austria and Czechoslovakia, the British Government made arrangements to allow them to come and live in England on the Kindertransport. This is Rebecca’s story as she remembers the day she had to leave her parents.
Three friends were speeding down a public road when they crashed into a wall, narrowly avoiding killing another driver. The consequences for all three were life changing in very different ways.
Jordan, Alex and Dani's chaotic misadventures helps the laughter masks life’s cracks but when reality shifts the absurd turns unsettling. A comedy where the jokes never stop until they suddenly do.
This play contains strong language.
Annie has over 35 years experience on the stage as both performer and director and is a passionate advocate for amatuer theatre. In fact she has twice won the All England Theatre Festival with YFC Performing Arts. She is also the founder of and Head of Speech and Drama at Hereford Cathedral School.
This was Annie's first visit to Totton and we were delighted to welcome her.
Adjudicator: Tristan Marshall GoDA